The Craft of the Cover Essay -- Music Artist

There is zero new under the sun. This could be considered to be the unofficial credo of the postmodernist movement, and it wouldnt be an inaccurate statement to make. There are some universal themes the pursuit of love, the satisfaction found in hard work, the upstart attempt against the status quo, the hatred of oppression and control being among those just about often quoted, and there are only so many ship so-and-soal to package and repackage these messages in a fashion readymade for public consumption. Pop glossiness is like a melting pot for these ideas. It is a cultural yawp brimming with themes and Grand Narratives. And yet the postmodernistists scorn the idea that there can be new themes discovered, and new modes of presenting those themes in a perfect, complete way. This struggle to discover new ways of revealing truth to the public has caused artists throughout history to turn to cover songs. And this use of covers has become emblematic of the Postmodern philosophy, whether due to the stagnation of the creativity of young artists, or the nostalgia with which Postmodernists view the past.A cover song is a song that is nobbleed by an artist other than the original creator. If I were to start a band and play Smoke on the Water by Deep Purple, I would be covering their song. Performances of old hymnals and American spiritual folk tunes like set up of the Rising Sun and Where Did You Sleep Last Night? are both covers, simply played by artists as a means of connecting with their consultation through mutually well known songs. In the 1950s and 60s, however, the mean of covers began to change. Record companies began having artists rerecord songs, for the purposes of disseminating it among a broader or different section of the record-buying pub... ...he sun.Works CitedDimaggio, Paul. heathenish Capital. Encyclopedia of accessible Theory 1 (2005). Print.Harvey, David. The Condition of Postmodernity. The New Social Theory Reader (2001). Print.Dav e Laing. Folk euphony Revival. Grove unison Online. Oxford Music Online. 5 Dec. 2010 .Natoli, Joseph P., and Linda Hutcheon. A Postmodern Reader. Albany State University of New York Press, 1993.Storey, John. heathen Studies and the Study of Popular Culture. Edinburgh Edinburgh UP, 2010. Print.Weisbard, Eric. POP MUSIC A Simple numbers That Lives Beyond Time. New York Times 13 Nov. 1994. Print.Robert Witmer and Anthony Marks. Cover. Grove Music Online. Oxford Music Online. 5 Dec. 2010 .